Marina AbramovicÌ / Kristine Stiles, Klaus Biesenbach, Chrissie Iles.
Series: Contemporary artistsPublisher: London ; New York, NY : Phaidon, 2008Description: 158 p. : ill. (some col.) ; 29 cmISBN: 9780714848020; 0714848026Subject(s): Abramovic, Marina -- Criticism and interpretation | Abramovic, Marina | Abramovic, Marina, 1946- | AbramovicÌ, Marina | Installations (Art) | Performance artDDC classification: 709.2 Summary: Since the early 1970's, Marina Abramovic has pioneered the use of performance as a visual art form, exploring her physical and emotional limits in some of the most iconic works in contemporary art. Her body is her primary subject and medium, from the early sound-based performances in her native Yugoslavia, to her collaborative works with German artists Ulay (Frank Uwe Laysiepen), her videos exploring her Balkan heritage, and most recently her re-enactments of hisorical performaces by fellow artists such as Vito Acconci, Bruce Nauman and Valie Export.| Item type | Current location | Home library | Call number | Status | Date due | Barcode | Item holds |
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Book
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School of Art Design and Architecture (SADA) | School of Art Design and Architecture (SADA) | 709.2 STI 2008 (Browse shelf) | Available | SADA0001415 |
Total holds: 0
Since the early 1970's, Marina Abramovic has pioneered the use of performance as a visual art form, exploring her physical and emotional limits in some of the most iconic works in contemporary art. Her body is her primary subject and medium, from the early sound-based performances in her native Yugoslavia, to her collaborative works with German artists Ulay (Frank Uwe Laysiepen), her videos exploring her Balkan heritage, and most recently her re-enactments of hisorical performaces by fellow artists such as Vito Acconci, Bruce Nauman and Valie Export.
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