Constructivism / Aleksei Gan, Christina Lodder.
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TextPublisher: Barcelona : Tenov Books, 2014Description: 178 p. ; 22 cmISBN: 8493923125 (paperback); 9788493923129 (paperback); 8493923125 Subject(s): Art, Soviet | Constructivism (Art) | Soviet UnionDDC classification: 709.47 LOC classification: N6988.5.C64Online resources: Amazon.com Summary: Published in 1922 in Russian, Aleksei Gan’s Constructivism was the first theoretical treatise of postrevolutionary Russia’s emergent Constructivist movement. Fired with revolutionary zeal, it was unquestionably a declaration of war on traditional bourgeois art. Constructivism recasts artists and architects as Constructors, turning away from aesthetic or speculative problems in art and instead focusing on the fusion of art with everyday life in order to create a functional system of design, one in keeping with the great task of building the new communist society. This edition replicates Gan’s original layout, which was one of the first experiments in Constructivist typography and graphic design, and it also presents a substantial introductory essay by art historian Christina Lodder that examines Gan’s own odd, mercurial character and the tracks he left across avant-garde Russian graphics, architecture, film, and theater. Nearly a century later, Constructivism remains a powerful manifesto, and this new translation will help scholars trace its enduring influence on twentieth-century art and design.
| Item type | Current location | Home library | Call number | Copy number | Status | Date due | Barcode | Item holds |
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School of Art Design and Architecture (SADA) | School of Art Design and Architecture (SADA) | 709.47 GAN 2014 (Browse shelf) | 01 | Available | SADA0002484 |
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| 709.35 PEV 2011 Pioneers of modern design : | 709.4436 KOL 2002 The invention of chic : | 709.45632 HIN 2005 Art & architecture rome / | 709.47 GAN 2014 Constructivism / | 709.5 MCA 2005 The arts of Asia : materials, techniques, styles / | 709.52 CAL 2007 Japan style / | 709.52 LAM 2005 Japonisme : |
Published in 1922 in Russian, Aleksei Gan’s Constructivism was the first theoretical treatise of postrevolutionary Russia’s emergent Constructivist movement. Fired with revolutionary zeal, it was unquestionably a declaration of war on traditional bourgeois art. Constructivism recasts artists and architects as Constructors, turning away from aesthetic or speculative problems in art and instead focusing on the fusion of art with everyday life in order to create a functional system of design, one in keeping with the great task of building the new communist society. This edition replicates Gan’s original layout, which was one of the first experiments in Constructivist typography and graphic design, and it also presents a substantial introductory essay by art historian Christina Lodder that examines Gan’s own odd, mercurial character and the tracks he left across avant-garde Russian graphics, architecture, film, and theater. Nearly a century later, Constructivism remains a powerful manifesto, and this new translation will help scholars trace its enduring influence on twentieth-century art and design.

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