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  <titleInfo>
    <title>Acoustics and the performance of music</title>
    <subTitle>manual for acousticians, audio engineers, musicians, architects and musical instruments makers</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>Meyer, JuÌˆrgen</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <name type="personal">
    <namePart>Hansen, Uwe.</namePart>
  </name>
  <typeOfResource/>
  <originInfo>
    <place>
      <placeTerm type="code" authority="marccountry">xxu</placeTerm>
    </place>
    <place>
      <placeTerm type="text">New York</placeTerm>
    </place>
    <publisher>Springer Science+Business Media</publisher>
    <dateIssued>c2009</dateIssued>
    <edition>5th ed.</edition>
    <issuance/>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <extent>438 p., [8] p. of plates : ill. (some col.), music ; 24 cm.</extent>
  </physicalDescription>
  <abstract>Connects scientific understandings of acoustics with practical applications to musical performance.  Of central importance are the tonal characteristics of musical instruments and the singing voice including detailed representations of directional characteristics.  Furthermore, room acoustical concerns related to concert halls and opera houses are considered.  Based on this, suggestions are made for musical performance.  Included are seating arrangements within the orchestra and adaptation of performance techniques to the performance environment.  This presentation dispenses with complicated mathematical connections and aims for conceptual explanations accessible to musicians, particularly for conductors.  The graphical representations of the directional dependence of sound radiation by musical instruments and the singing voice are unique.  This German edition has become a standard reference work for audio engineers and scientists.</abstract>
  <tableOfContents>Introduction to acoustics -- Structural of musical sound -- Tonal characteristics of musical instruments -- Foundations of room acoustics -- Acoustical properties of old and new performance spaces -- Seating arrangement in the concert hall -- Acoustic considerations for instrumentation and playing technique -- Acoustical problems in the opera house -- Table for angular dependence of the statistical directivity factor.</tableOfContents>
  <note type="statement of responsibility">JuÌˆrgen Meyer, [translated by Uwe Hansen].</note>
  <note>Translation of the latest fifth edition of Akustik und musikalische AuffuÌˆhrungspraxis, originally published in German by PPVMedien GmbH, Edition Bochinsky, Bergkirchen.</note>
  <note>Originally published in German: Bergkirchen :  PPV Medien, Edition Bochinsky.</note>
  <subject authority="lcsh">
    <topic>Music</topic>
    <topic>Acoustics and physics</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Acoustical engineering</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Conducting</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Music</topic>
    <topic>Performance</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Theaters</topic>
    <topic>Acoustic properties</topic>
  </subject>
  <classification authority="ddc">781.2</classification>
  <relatedItem type="series">
    <titleInfo>
      <title>Modern acoustics and signal processing</title>
    </titleInfo>
  </relatedItem>
  <identifier type="isbn">9780387095165 (alk. paper)</identifier>
  <identifier type="isbn">0387095160 (alk. paper)</identifier>
  <identifier type="lccn">2008944095</identifier>
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    <recordCreationDate encoding="marc">120607</recordCreationDate>
    <recordChangeDate encoding="iso8601">20180116192355.0</recordChangeDate>
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