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  <titleInfo>
    <title>History of design</title>
    <subTitle>decorative arts and material culture, 1400-2000</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>Kirkham, Pat</namePart>
    <role>
      <roleTerm type="text">editor of compilation.</roleTerm>
    </role>
  </name>
  <name type="personal">
    <namePart>Weber, Susan</namePart>
    <namePart type="date">1954-</namePart>
    <role>
      <roleTerm type="text">editor of compilation.</roleTerm>
    </role>
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  <typeOfResource>text</typeOfResource>
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  <originInfo>
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      <placeTerm type="code" authority="marccountry">nyu</placeTerm>
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    <place>
      <placeTerm type="text">New Haven</placeTerm>
    </place>
    <place>
      <placeTerm type="text">London</placeTerm>
    </place>
    <publisher>Yale University Press</publisher>
    <dateIssued>2013</dateIssued>
    <issuance>monographic</issuance>
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  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>xiii, 698 pages : illustrations, maps ; 31 cm</extent>
  </physicalDescription>
  <abstract>"  Spanning six centuries of global design, this far-reaching survey is the first to offer an account of the vast history of decorative arts and design produced in Africa, the Americas, Asia, Europe, the Indian subcontinent, and the Islamic world, from 1400 to the present. Meticulously documented and lavishly illustrated, the volume covers interiors, furniture, textiles and dress, glass, graphics, metalwork, ceramics, exhibitions, product design, landscape and garden design, and theater and film design. Divided into four chronological sections, each of which is subdivided geographically, the authors elucidate the evolution of style, form, materials, and techniques, and address vital issues such as gender, race, patronage, cultural appropriation, continuity versus innovation, and high versus low culture.  Leading authorities in design history and decorative arts studies present hundreds of objects in their contemporary contexts, demonstrating the overwhelming extent to which the applied arts have enriched customs, ceremony, and daily life worldwide over the past six hundred years. This ambitious, landmark publication is essential reading, contributing a definitive classic to the existing scholarship on design, decorative arts, and material culture, while also introducing these subjects to new readers in a comprehensive, erudite book with widespread appeal"--</abstract>
  <note type="statement of responsibility">Pat Kirkham, Susan Weber, editors, The Bard Graduate Center ; project editor, Heather Jane McCormick ; with contributions by John Robert Alderman [and 26 others].</note>
  <note>Includes bibliographical references (pages 666-673) and index.</note>
  <subject authority="lcsh">
    <topic>Decorative arts</topic>
    <topic>History</topic>
  </subject>
  <subject authority="bisacsh">
    <topic>DESIGN / Decorative Arts</topic>
  </subject>
  <subject authority="bisacsh">
    <topic>ART / Reference</topic>
  </subject>
  <subject authority="bisacsh">
    <topic>HISTORY / World</topic>
  </subject>
  <classification authority="lcc">NK600 .H57 2013</classification>
  <classification authority="ddc" edition="23">745</classification>
  <classification authority="bisacsh">DES003000 ART025000 HIS037000</classification>
  <identifier type="isbn">9780300196146 (hardback)</identifier>
  <identifier type="lccn">2013019464</identifier>
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    <recordCreationDate encoding="marc">130515</recordCreationDate>
    <recordChangeDate encoding="iso8601">20180116192423.0</recordChangeDate>
    <recordIdentifier source="OSt">17738951</recordIdentifier>
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