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  <titleInfo>
    <title>Modern American drama</title>
  </titleInfo>
  <name type="personal">
    <namePart>David, Agnes,M. Sister.</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <typeOfResource>text</typeOfResource>
  <originInfo>
    <place>
      <placeTerm type="text">DeLand, Fla</placeTerm>
    </place>
    <publisher>Everett/Edwards</publisher>
    <dateIssued>[1951]</dateIssued>
    <edition>[1st ed.]</edition>
    <issuance>monographic</issuance>
  </originInfo>
  <physicalDescription>
    <extent>200 p. 25 cm.</extent>
  </physicalDescription>
  <tableOfContents>Eugene O'Neill: the long quest, by J. L. Halio.--Six characters in search of an author and Desire under the elms: what O'Neill did not learn from Europe, by W. E. Taylor.--Clifford Odets: from influence to affluence, by R. B. Shuman.--Maxwell Anderson: traditionalist in a theatre of change, by W. E. Taylor.--Comedy of manners 1927-1939, by W. Embler.--Through a glass menagerie darkly: the world of Tennessee Williams, by S. Kahn.--Arthur Miller: Aristotelian canons in the twentieth century drama, by A. A. Stambusky.--Three verse playwrights and the American fifties, by D. Gerstenberger.--What happens in Who's afraid ...? By M. Halperen.--The novelist as playwright: Baldwin, McCullers, and Bellow, by L. Phillips.--Off-Broadway and the new realism, by B. F. Dukore.--Bibliographical notes (p. 175-186).</tableOfContents>
  <note type="statement of responsibility">.</note>
  <note>0 0 0 812_000000000000000_DAV</note>
  <subject authority="lcsh">
    <topic>American drama</topic>
    <topic>History and criticism</topic>
  </subject>
  <subject authority="lcsh">
    <topic>MCE</topic>
  </subject>
  <classification authority="ddc">812 DAV</classification>
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