| 000 | 01924 a2200301 4500 | ||
|---|---|---|---|
| 003 | OSt | ||
| 005 | 20180116192402.0 | ||
| 008 | 120703t xxu||||| |||| 00| 0 eng d | ||
| 010 | _a 2007270031 | ||
| 020 | _a9780714842851 (v. 1) | ||
| 020 | _a0714842850 (v. 1) | ||
| 020 | _a9780714844336 (v. 2) | ||
| 020 | _a0714844330 (v. 2) | ||
| 035 | _a(OCoLC)ocm56658197 | ||
| 040 | _c0 | ||
| 082 | 0 | 4 | _a770.9 |
| 100 | 1 |
_aParr, Martin, _95471 |
|
| 245 | 1 | 4 |
_aThe photobook : _ba history / _cMartin Parr and Gerry Badger. _nVol.2 |
| 260 |
_aLondon : _bPhaidon, _c2006 |
||
| 300 |
_aVol.2 : _bill. (some col.) ; _c30 cm. |
||
| 505 | 0 | _av. 1. Topography and travel: the first photobooks ; Facing facts: the nineteenth-century photobook as record ; Photography as art: the pictorial photobook ; Photo eye: the modernist photobook ; A day in the life: the documentary photobook in the 1930s ; Medium and message: the photobook as propaganda ; Memory and reconstruction: the postwar European photobook ; The indecisive moment: the 'stream-of-consciousness' photobook ; Provocative materials for thought: the postwar Japanese photobook -- v. 2. Mirrors and windows : the American photobook since the 1970s ; Common market : the European photobook since the 1980s ; Other territories : the worldwide photobook ; Appropriating photography : the artist's photobook ; Point of sale : the company photobook ; Looking at photographs : the picture editor as author ; The camera as witness : the 'concerned' photobook since World War II ; The Düsseldorf tendency : the new objective photobook ; Home and away : modern life and the photobook. | |
| 650 | 1 | 0 |
_aArtists' books _xHistory. _95472 |
| 650 | 1 | 0 |
_aPhotography, Artistic _xHistory. _95473 |
| 650 | 1 | 0 |
_aPhotography _xHistory. _95474 |
| 700 | 1 |
_aBadger, Gerry. _95475 |
|
| 942 |
_aSADA _cREF _kREF 770.9 PAR 2006 _2ddc |
||
| 999 |
_c353345 _d353345 |
||