000			03440cam a22005295i 4500
001			21942068
003			NUST
005			20240306121439.0
008			210306t20202020gw a c 000 0 eng d
010			_a 2021374811
020			_a9783956795794 _q(hardbound)
020			_a3956795792 _q(hardbound)
024	3		_a9783956795794
035			_a(OCoLC)on1225873865
038			_aMalang Jan
040			_aOHX _beng _erda _cOHX _dERASA _dJPG _dOCLCO _dJPG _dOCLCF _dSTF _dMRB _dOCLCO _dCOD _dOCLCO _dOCLCQ _dOCLCO _dTEU _dCDX _dDLC
041	0		_aeng _aspa _amyn
042			_alccopycat
072		7	_aN _2lcco
082	0	4	_a700.411 _bWIL
245	0	0	_aElisabeth Wild : _bfantasías / _cedited by Adam Szymczyk.
246	3	0	_aFantasías
264		1	_aBerlin : _bSternberg Press, _c[2020]
264		4	_c©2020
300			_a152 pages : _billustrations (chiefly color) ; _c24 cm
336			_atext _btxt _2rdacontent
336			_astill image _bsti _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
504			_aIncludes bibliographical references.
505	0	0	_tKame / _rNegma Coy -- _tPrologue : At Home with Elisabeth / _rKarolina Dankow -- _tA Message to the Empire : Dream Worlds in the Name of Equality / _rNoit Banai -- _tPeraj taq sipanïk / _rNegma Coy -- _tA Tale of Chance / _rBarbara Casavecchia -- _tEpilogue : Across the Lake / _rAdam Szymczyk -- _tRechʹeroj / _rNegma Coy.
520	8		_aElisabeth Wild began exhibiting internationally in 2014 as part of a mid-career survey for her daughter, the artist Vivian Suter, at the Kunsthalle Basel. In 1938, when Wild was sixteen, she and her family fled Vienna to escape the Nazi threat, to Buenos Aires. Although her painting studies in Vienna were interrupted, she continued her fine-art studies in her new home, later working professionally as a textile designer. In 1962, Wild and her family traveled back across the Atlantic, to Basel, to escape the Perón dictatorship. There she ran an antique shop and began, in her seventh decade, her prolific collage production. In 1996, she left Basel for Panajachel, Guatemala, where she lived and continued working on her collages, until her death in 2020. This monograph showcases Wild's kaleidoscopic and vibrantly colored collages titled Fantasías. Using cutouts from the commercial imagery of glossy magazines, she creates a different reality that is witty and sometimes menacing. Alongside Wild's collages are contributions by Guatemalan poet Negma Coy, curator Adam Szymczyk, art educator and writer Barbara Casavecchia, art historian and critic Noit Banai, and Karolina Dankow of Zurich gallery Karma International.
546			_aText in English; poems in English, Kaqchikel, and Spanish by Negma Coy.
600	1	0	_aWild, Elisabeth, _d1922-2020. _9121897
650		0	_aCollage. _933494
650		6	_aCollage (Art) _9121898
650		7	_acollage (technique) _2aat _9121899
650		7	_aCollage. _2fast _0(OCoLC)fst00867085 _933494
655		7	_aCatalogs. _2fast _0http://id.worldcat.org/fast/1423692 _998425
655		7	_aCatalogs. _2lcgft _998425
700	1		_aCoy, Negma, _d1980- _eauthor. _9121900
700	1		_aSzymczyk, Adam, _eeditor. _9121901
700	1	2	_aWild, Elisabeth, _d1922-2020. _tWorks. _kSelections. _9121902
906			_a0 _bibc _ccopycat _d3 _encip _f20 _gy-gencatlg
942			_2ddc _cBK
999			_c608577 _d608577